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Talented people from Sweden often publicly have to badmouth their own international achievements and especially the places where they achieve them, in order to blend in comfortably when they get home. This seems to be changing riptropin for sale with a more internationalized generation, born in the 1990, beginning to come into its own. Wild Side Story for California, nonetheless, was organized by September of 1977, successfully rehearsed and a trial performance given and photographed at a small bar called Matlos Flama Latina, with a big stage, on Western Avenue just below Hollywood Boulevard. Nov. 30, 1977, marked this first Los Angeles showing. The good-humored young actor cast as onsuelo had forgotten to come, so this first show - his last - could only be accomplished after a frantic search using several cars scoured Santa Monica Boulevard bars, managed to find him cheerfully partying and rushed him into heavy makeup. He was replaced by Eddy Hampton Armani, later an unauthorized biographer of Tina Turner, who remained "Consuelo" until 1980 (Eddy, not Tina). Prologue slide: airport-bound gang speeding to pick up "Maria", fall of 1977. New slides and films were taken all over the area. For a clearer introduction to the story from now on, a series of slides to the first few minutes of music functioned as a Prologue, showing "Jos Maria" in Puerto Rico (actually Santa Monica), how and where he got the idea to try transvestism, kiss his girlfriend good-bye and arrive in New York. To get aria photos aboard a plane (actually Pacific Southwest Airlines) Jacob and Eddie Valdez bought two tickets to San Diego and then got off with a poor-or-less excuse in the last minute. It brought back memories to the director of the ood old underground days of Miami Beach. A complicated and artistic lighting scheme put together in Sweden by Ulf Nilsson was able to be used well when Nilsson himself arrived from Stockholm to take command of it. Even one Alexandra disc jockey, who had engineered the sound there, came over and tended the equipment for some of the shows. These blond Nordic assistants were considered a spice on the mainly Mexican-American team. Another blond was the new ony, a struggling young actor from Idaho whose voice was more suited to doing the live song as a monologue, rather than singing it. Mersky and Mimical Prod. moving in at the Plaza, April, 1979. Somehow, to keep people involved, Mimical Productions managed to get a considerable number of tickets for the spectacular Cinerama Dome opening of Sextette on March 2, 1978, and took pictures on the red carpet of its own people. Then everyone went inside to watch the controversial picture and see Miss West herself thank the audience from stage for coming to her ittle piece of educational entertainment. Years later, when Jacob read a book on the great diva, he pondered in vain if his group and their relatives were included in the rowd from Cucamonga outside the theatre that one Hollywood expert had complained about, not content with only mentioning all the big names in attendance. After a long period of scouting for a good venue for a Los Trenbolone Acetate Angeles run and for the best possible cast to run with it, Wild Side Story was ready to go and was video taped March 25, 1979, at the Plaza neighboring Pinks Hot Dogs and opened there on May 1. The little restaurant had never had a roduction show of this kind before. When after a summer recess it reopened there in the fall (Sept. 25), word of mouth and a few carefully placed invitations began to bear fruit as celebrities like Lehman Engel and Boz Scaggs arrived at the Plaza to see the piece and were seen enjoying it. The place reminded Vigil, Jacob and Jennifer Garcia from Miami (now playing nita) of the original underground atmosphere from five years before.